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Artwork by Hiroshige  
1797 - 1858
Known for landscape and nature prints, together with Hokusai considered the dominant figure of printmaking in the first half of the nineteenth century. Born Ando Tokutaro, the son of a samurai and fireman, as an orphan at about 14 he became a pupil ...

Also known as: Ando Hiroshige, Utagawa Hiroshige, Hiroshige I

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Autumn Moon at Ishiyama by Hiroshige
Akasaka on the Tokaido Road by Hiroshige
Fujieda by Hiroshige
Fujisawa - 53 Stations of the Tokaido by Hiroshige
Fuchu - 53 Stations of the Tokaido by Hiroshige
Shimabara - Famous Views of Kyoto by Hiroshige
Chushingura by Hiroshige
Visit to Oji Shrine by Hiroshige
Akasaka by Hiroshige
Kuwana by Hiroshige
Miya by Hiroshige
Chushingura (47 Ronin) by Hiroshige
Mishima by Hiroshige
View of Kanda by Hiroshige
Top of Asago Hill, Shiba by Hiroshige
Plum Garden, Kameido by Hiroshige
Wisteria at Kameido by Hiroshige
Tomigaoka Hachiman Shrine by Hiroshige
Collection of 100 Poems (Number 69) by Hiroshige
Collection of 100 Poems (Number 40) by Hiroshige
Revenge of the Soga Brothers (5) by Hiroshige
Revenge of the Soga Brother (4) by Hiroshige
Revenge of the Soga Brothers (21) by Hiroshige
Revenge of the Soga Brother (14) by Hiroshige
Revenge of the Soga Brother (6) by Hiroshige
The Hill at Kanagawa by Hiroshige
53 Stations of the Tokaido(Gyosho) - Fukuroi by Hiroshige
53 Stations of the Tokaido (Gyosho) - Shimada by Hiroshige
Mishima - 53 Stations of the Tokaido by Hiroshige
Iwa Ni Karashishi (Chinese Lions on the Rocks) by Hiroshige

Hiroshige   1797 - 1858
Also known as: Ando Hiroshige, Utagawa Hiroshige, Hiroshige I
Known for landscape and nature prints, together with Hokusai considered the dominant figure of printmaking in the first half of the nineteenth century. Born Ando Tokutaro, the son of a samurai and fireman, as an orphan at about 14 he became a pupil of Toyohiro Utagawa, and took the name Utagawa Hiroshige. In ukiyo-e literature he is usually referenced as Hiroshige Ando.

His early prints include typical sugbjects of kabuki actors, beautiful women, and a few warrior prints. From 1830 on, he tried his luck with a new genre -- landscape prints. One of his great masterpeices is the series 53 Stations of the Tokaido, 55 [romts om pbam fpr,at created frp, 1833 to 1834. For the next 20 years he concentrated his efforts on landscape prints. He did several other Tokaido series and series of famous places. His last series 100 Famous Views of Edo is considered as one of his greatest masterpieces.
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