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Artwork by Kobayashi, Kiyochika  
1847 - 1915
Son of a military retainer of the Tokugawa family. Studied briefly with Kawanabe Gyosai and Shibara Zeshin; may have acquired an attention to the effect of light from the photographer Shimooka Renjo in Yokihama. May also have known the Western pai...

Also known as: Possibly Toshichika

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Beauty of the Kyoho Period by Kobayashi, Kiyochika
Beauty of the Enpo Period by Kobayashi, Kiyochika
Young Ieyasu by Kobayashi, Kiyochika
Uesugi Kagetora  by Kobayashi, Kiyochika
Sato Tsugunobu  by Kobayashi, Kiyochika
Ono No Tofu by Kobayashi, Kiyochika
Tainin Kozuke No Katana and His Wife by Kobayashi, Kiyochika
Koshikibu no Naishi by Kobayashi, Kiyochika
Hosokawa Yusai by Kobayashi, Kiyochika
Kesa and Morito by Kobayashi, Kiyochika
Hojo Yasutoki by Kobayashi, Kiyochika
Tokugawa Yoshinobu by Kobayashi, Kiyochika
Minamoto No Yoshiie by Kobayashi, Kiyochika
Ono No Tofu by Kobayashi, Kiyochika
Oda Nobunaga  by Kobayashi, Kiyochika
Instructive Models of Lofty Ambition by Kobayashi, Kiyochika

Kobayashi, Kiyochika   1847 - 1915
Also known as: Possibly Toshichika
Son of a military retainer of the Tokugawa family. Studied briefly with Kawanabe Gyosai and Shibara Zeshin; may have acquired an attention to the effect of light from the photographer Shimooka Renjo in Yokihama. May also have known the Western painter Charles Wirgman. Best-known prints, 1876-1881, depict scenes of the assimilation of Western influences -- often dramatically lit by the moon, fire, or fireworks. From the early 1880s he turned to political and social satire. Worked for a number of comic journals and newspapers, among them Marumaru chinbun for which he made cartoons for 18 years. Also made woodblock illustrations and landscape prints. Working for 6 different publishers, designed ca. 80 battle triptychs during the Sino-Japanese War. Also designed a few prints of the Russo-Japanese War.

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