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Artwork by Toyohara Kunichika 
(1835 - 1900)
Also known as: Toyohara Kunichika, Yasohachi Oshima

Increased appreciation of the printmaker Toyohara Kunichika is indicative in the 1999 publication on the artist by Amy Reigle Newland, "A Forgotten Master."

His was born in the Kyobashi district of Tokyo with the original name Yasoh . . . continue reading


Item #10591     1867     $
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Item #9370     1866     $
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Item #7879     Circa 1860     $
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Item #7571     1880s     $
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Item #6992     1877     $
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Item #6973     12/1878     $
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Item #6932     1881     $
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Item #5226     Circa 1890     $
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Item #5171     $
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Item #5170     1893     $
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Item #5169     1893     $
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Item #5165     1890     $
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Item #5068     1896     $
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Item #5058     1871     $
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Item #5056     1870     $
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Item #4935     ca 1880     $
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Item #2045     Meiji 1894     $
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Item #2033     Meiji 1893     $
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Item #2032     Meiji 1893     $
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Toyohara Kunichika  (1835 - 1900)
Also known as: Toyohara Kunichika, Yasohachi Oshima

Increased appreciation of the printmaker Toyohara Kunichika is indicative in the 1999 publication on the artist by Amy Reigle Newland, "A Forgotten Master."

His was born in the Kyobashi district of Tokyo with the original name Yasohachi Oshima. Around the age of eleven or twelve, he became a student of the ukiyo-e artist Ichiosai Toohara Chikanobu (an artist of the Hasegawa school working in Kano-style painting and not to be confused the better known printimaker Yoshu Toyohara Chikanobu who was Kunichika's own pupil), and at the age of thirteen he entered the studio of Kunisada as an apprentice -- his artist name being a combination of these two teachers

Kunichika is foremost known as a designer of actor prints. Apart from actor prints, he created prints of beautiful women and some designs with historic scenes. He often used strong red and dark purple-blue colors, particularly as background colors on his prints; they were made of aniline dyes imported in the Meiji period from Germany. During his lifetime, Kunichika was an esteemed and appreciated artist. However he never received the public attention that his master Kunisada had or that Yoshitoshi could win during the last years of his life.

In 1867, one year before the collapse of the Shogunate, he received an official commission by the government to contribute to the 1867 World Exhibition in Paris.

 
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