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Artwork by Toyohara Kunichika  
1835 - 1900
Increased appreciation of the printmaker Toyohara Kunichika is indicative in the 1999 publication on the artist by Amy Reigle Newland, "A Forgotten Master."

His was born in the Kyobashi district of Tokyo with the original name Yasohachi O...

Also known as: Toyohara Kunichika, Yasohachi Oshima

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53 Stations of the Tokaido, Okazaki Station Scene Triptych by Toyohara Kunichika
Kabuki Actor by Toyohara Kunichika
Geisha by Toyohara Kunichika
Kabuki Actor by Toyohara Kunichika
Scene of Mother and Child by Toyohara Kunichika
Kabuki Actor by Toyohara Kunichika
Iwafuji  by Toyohara Kunichika
Playing a Sho by Toyohara Kunichika
54 Modern Feelings by Toyohara Kunichika
One Hundred Roles of Baiko by Toyohara Kunichika
One Hundred Roles of Baiko by Toyohara Kunichika
3 AM by Toyohara Kunichika
Kabuki Actors by Toyohara Kunichika
Ichikawa Danjuro as Kagekiyo by Toyohara Kunichika
Kabuki Scene by Toyohara Kunichika
Kabuki Actor, Ichikawa Danjuro IX by Toyohara Kunichika
The Actor Ichikawa Danjuro IX as a Pirate Chief (Ichikawa Danjuro Kezori Kyuemon) by Toyohara Kunichika
Kikugoro V: One Hundred Baiko  by Toyohara Kunichika

Toyohara Kunichika   1835 - 1900
Also known as: Toyohara Kunichika, Yasohachi Oshima
Increased appreciation of the printmaker Toyohara Kunichika is indicative in the 1999 publication on the artist by Amy Reigle Newland, "A Forgotten Master."

His was born in the Kyobashi district of Tokyo with the original name Yasohachi Oshima. Around the age of eleven or twelve, he became a student of the ukiyo-e artist Ichiosai Toohara Chikanobu (an artist of the Hasegawa school working in Kano-style painting and not to be confused the better known printimaker Yoshu Toyohara Chikanobu who was Kunichika's own pupil), and at the age of thirteen he entered the studio of Kunisada as an apprentice -- his artist name being a combination of these two teachers

Kunichika is foremost known as a designer of actor prints. Apart from actor prints, he created prints of beautiful women and some designs with historic scenes. He often used strong red and dark purple-blue colors, particularly as background colors on his prints; they were made of aniline dyes imported in the Meiji period from Germany. During his lifetime, Kunichika was an esteemed and appreciated artist. However he never received the public attention that his master Kunisada had or that Yoshitoshi could win during the last years of his life.

In 1867, one year before the collapse of the Shogunate, he received an official commission by the government to contribute to the 1867 World Exhibition in Paris.
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